The beef began when Portable took a swipe at VDM in a viral video, criticizing him for allegedly speaking ill of President Bola Ahmed Tinubu and for buying a car during a time of economic hardship. Portable, defending his stance, insisted that his comments weren’t meant to disrespect the president but to highlight the rising insecurity and cost of living under the current administration. He argued that it was “insulting” for VDM to show off a new car during what many Nigerians consider one of the most difficult economic periods in recent history.
Portable also referenced his own struggles, pointing out that he had owned both a car and a keke (commercial tricycle) since 2020. In an ironic twist, VDM clapped back by resurfacing an old video showing Portable allegedly being stripped and beaten by a mob for stealing a keke—an incident that became a viral moment years ago.
VDM’s Savage Response
On July 22, VDM responded in dramatic fashion with the release of “Ole,” a diss track laced with mockery and hard-hitting accusations. In the track, he ridicules Portable’s past controversies and calls him a clout-chasing opportunist. With lines that reference WAEC, INEC, and other Nigerian institutions, VDM paints Portable as someone lacking credibility and education.
The diss didn’t just call out Portable’s hypocrisy—it also attempted to humiliate him by rehashing past scandals that most artists would prefer forgotten.
Portable Strikes Back
Not one to stay silent, Portable quickly fired back with his own diss track, recorded straight from the studio. In his version, Portable accuses VDM of exploiting public sympathy and misusing money donated by Don Jazzy—an allegation he amplified by calling for VDM’s arrest.
Portable doubled down on his narrative, saying VDM had no right to flaunt a new vehicle while ordinary Nigerians struggled, and defended his original remarks as genuine concern for the state of the country, not political slander.
Social Media Buzz and Fan Reactions
As expected, social media has exploded with reactions from fans and critics. Many praised VDM’s lyricism and production quality, while others found Portable’s chaotic and unfiltered response entertaining.
One user commented, “VDM still winning… this one wey producer no wear cloth.” Another wrote, “Portable’s clapbacks might be messy, but they never miss in terms of drama.”
The back-and-forth has dominated online conversations, spawning memes, remix challenges, and heated debates over who is “winning” the beef.
Beyond the Music: A Deeper Commentary
What makes this diss battle different is its political and social context. Unlike typical celebrity feuds, this one touches on real frustrations felt by everyday Nigerians—issues like insecurity, inflation, and public accountability. While VDM presents himself as a voice for the people, Portable positions himself as a grassroots artist unafraid to speak his mind, no matter how controversial.
It’s a rare crossover where entertainment, activism, and politics collide, showing just how blurred the lines have become in Nigeria’s digital culture.
What’s Next?
With both sides showing no signs of backing down, fans can likely expect more lyrical jabs, social media skits, and maybe even legal threats if allegations continue to fly. Whether this ends as a flash-in-the-pan moment or escalates into a longer-running feud, one thing is clear: both VDM and Portable have mastered the art of keeping Nigeria talking
